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#1 |
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Member
Join Date: Feb 2007
Posts: 480
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The POD can sound pretty huge
I use my Bogner Shiva for a lot of tracking but sometimes the POD does the trick pretty well considering it's all software
just guitar and drums no bass instruments except for the kick http://negation.hoster905.com/negati...so/HugeEgo.mp3 Not bad?
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http://psychopompos.org http://www.reverbnation.com/infiniteego http://www.myspace.com/infiniteegosavioronasis Last edited by ieso : 07-30-2007 at 08:47 AM. |
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#2 |
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Hall of Fame Member
Join Date: Mar 2006
Location: Midwest
Posts: 6,483
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Sounds great! Were you using a POD 2.0? Or a POD XT?
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"Life is what happens to you while you are busy making other plans..." - John Lennon Videos of me playing guitar! My original music Stupid, meaningless HC clubs I'm a PROUD member of:
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#3 |
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Member
Join Date: Feb 2007
Posts: 480
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Thanks!
It's a PODxT I bought the Gear Box plug-ins too so I've been experimenting with recording using my amp and then re-amping with the pod. That way you can bypass the converters in the pod for a better sound...but this little piece was just done with the pod on its own |
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#4 |
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Senior Member
Join Date: Feb 2004
Posts: 3,796
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Love the chord progression. Great use of dissonance. POD sounds great too.
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#5 |
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Hall of Fame Member
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what guitar and amp model please??
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#6 |
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Senior Member
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Oh my god so digital!!
It was like being pummelled by ones and zeros untill my ears were bleeding. And did you hear all that .... f,f,f,f FIZZ???I had to stick my tongue in a light socket to stop the pain ![]() No really great clip and I really am sold on modelling. I have the XT the TonePort UX2 and mant Tube amps and vintage effects. What do I mostely use? My TonePort. KUDOS DUDE!!
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If only I was all thumbs |
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#7 |
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Hall of Fame Member
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PODs are really, really good if you know how to use them. I use the recto models most of the time, and I need to back off of the gain and bass considerably, then record about four tracks of guitar, it sounds huge.
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#8 |
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Member
Join Date: Feb 2007
Posts: 480
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Thanks, I was kinda inspired by Vernon Reid on this one.
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#9 |
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Member
Join Date: Feb 2007
Posts: 480
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That's a custom guitar with a SD Lil' 59 bridge pup
Models: can't recall exactly but there were five different patches. Three had some distortion and two were clean. I know there was a Marshall on the left and a Twin in there somewhere. I think it was the Uberschall up the middle. |
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#10 |
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Hall of Fame Member
Join Date: Dec 2004
Location: Gibraltar,Michigan
Posts: 7,361
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The Xt is quite amazing. Ive had it from day one and with all the Model packs and latest upgrades it seems that it is almost like a poor mans million dollar guitar rig studio. With VG head phones or the right power amp these can fool even the most seasoned tube snob(btw I use and love tubes also.).
There are so many options what with pre and posting of effects as well as mic spacing,cabs, 70 plus amp models and some pretty darn close ala Marshalls,Bogner,Diezel,5150 etc... And they havent retired it yet so more amps and updates are sure too come and one of the reasons I went with Line6 over other modeers. The stomps in front of amp models is the key IMO as well as using the Roatary Leslie model as a tone fattener rather than delay or chorus. And use a bit less gain than you would normally when recording as it makes all the difference between a swarm of bees and that gainy brown sound. And nice sounding clip. Settings?
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#11 | |
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Member
Join Date: Feb 2007
Posts: 480
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Quote:
I think it was like this: Uberschall crunch up the middle (no effects) Marshall JTM on the left with a splash of verb Soldano on the right with some delay Fender Twin at left-center with chorus Fender Deluxe at right-center with tape echo use a high pass filter to roll off any mud that builds up in the low mids |
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#12 |
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Hall of Fame Member
Join Date: Jul 2005
Posts: 20,050
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dungens record was pod
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look out! i am using technology. |
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#13 | |
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Member
Join Date: Apr 2007
Location: over teh brootal rainbow
Posts: 841
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that recording is great
about the dissonance +1
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#14 |
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Hall of Fame Member
Join Date: May 2005
Posts: 6,055
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#15 |
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Hall of Fame Member
Join Date: Jul 2005
Posts: 20,050
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look out! i am using technology. |
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#16 |
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Hall of Fame Member
Join Date: Jul 2004
Posts: 6,568
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Nice clip.
I am really intrigued by your use of dissonance. Would you mind sharing the chord progressions? (Ain't gonna steal it, just trying to learn more about using dissonance properly)
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"Art is either plagiarism or revolution." -Gauguin |
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#17 | |
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Member
Join Date: Feb 2007
Posts: 480
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Quote:
I don't have my guitar in front of me at the moment. However, in general I think about dissonance in terms of playing two different dyads or triads against each other. For example, the two opening chords are a Dbmaj triad with a D/A dyad in the bottom and then resolve it to a D power chord. The study of tetrachords (not actually chords) is a good place to begin. You might take a look at the resource archive at http://www.gtroblq.com as I have a lot of lessons locked up there that would get you a long way along on this road. |
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#18 |
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Hall of Fame Member
Join Date: Oct 2005
Location: Twin Cities
Posts: 5,130
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#19 | |
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Member
Join Date: Oct 1999
Location: North Hollywood, CA
Posts: 817
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Quote:
Also that chord you played could also be called an A Maj 11(b13).
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#20 | |
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Member
Join Date: Feb 2007
Posts: 480
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Quote:
There are five guitar tracks in this thing. Marco Oppedisano added a solo to this piece not too long ago (it's on one of my MySpace pages) and I need to go back, now, and add in some bass and maybe some synth pads. Thanks! |
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