MarshallTSL
07-18-2009, 09:23 PM
Craig,
I think it's time to do a product roundup with detailed reviews on the many hi-tech guitar options we have today.
We can now get an interesting range of guitars that come from the manufacturer with embedded RMC, USB, MIDI, and whatever it is that Moog and Gibson (and Fender with the VG) does. New after-market bridges from Graph-Tech are available that allow us to retrofit Floyd Rose and Tune-o-Matic bridges.
There are now interesting interfaces that allow us to go beyond the realm of whatever Roland orAxon decides to put into a synth. We can now leverage soft synths, rack-mounts and other outboard synth gear.
The world of synth is finally opening up to us regular guitar guys and it's tremendously exciting.
I would see that some of the interesting areas to explore are
* comparitive tracking evaluations between the different pickups,
* effective use of on-instrument controls,
* guitar/computer interfaces and DAW integration,
* foot controllers,
* MIDI mapping (for the guitar guy),
* MIDI automation for synth, amp and outboard effect management and control
* Another interesting thing to consider is the quality and applicability of the sound from various synth modules, keyboards and engines - considering the guitar is the controller.
Anyway, I'm in the process of narrowing down my first synth guitar and am enjoying the hunt tremendously. What's interesting is that I'm giving way more focus on the guitar rather than on the synthesis unit itself. Is the VG99 the only real choice? Is there another way to go? Do I get the RMC-to-MIDI converter and get a Korg or Yamaha 61-key keyboard which would also conveniently give me a keyboard to use? Or what about a Rackmount Synth module?
This is where things get hazy. Picking out a new amp or a new axe is easy in comparison. How do I program everything? How do I control it real-time? Is it giggable? How do I protect it? How do I minimize cabling? Is my guitar amp the right way to deliver synth sounds? If not, what is? And is the answer going to work for both studio and live? How do other guitar players that have adopted synthesis handle their rigs live?
Anyway, hopefully this gives you some ideas. Look forward to your response.
Mark Jasen
I think it's time to do a product roundup with detailed reviews on the many hi-tech guitar options we have today.
We can now get an interesting range of guitars that come from the manufacturer with embedded RMC, USB, MIDI, and whatever it is that Moog and Gibson (and Fender with the VG) does. New after-market bridges from Graph-Tech are available that allow us to retrofit Floyd Rose and Tune-o-Matic bridges.
There are now interesting interfaces that allow us to go beyond the realm of whatever Roland orAxon decides to put into a synth. We can now leverage soft synths, rack-mounts and other outboard synth gear.
The world of synth is finally opening up to us regular guitar guys and it's tremendously exciting.
I would see that some of the interesting areas to explore are
* comparitive tracking evaluations between the different pickups,
* effective use of on-instrument controls,
* guitar/computer interfaces and DAW integration,
* foot controllers,
* MIDI mapping (for the guitar guy),
* MIDI automation for synth, amp and outboard effect management and control
* Another interesting thing to consider is the quality and applicability of the sound from various synth modules, keyboards and engines - considering the guitar is the controller.
Anyway, I'm in the process of narrowing down my first synth guitar and am enjoying the hunt tremendously. What's interesting is that I'm giving way more focus on the guitar rather than on the synthesis unit itself. Is the VG99 the only real choice? Is there another way to go? Do I get the RMC-to-MIDI converter and get a Korg or Yamaha 61-key keyboard which would also conveniently give me a keyboard to use? Or what about a Rackmount Synth module?
This is where things get hazy. Picking out a new amp or a new axe is easy in comparison. How do I program everything? How do I control it real-time? Is it giggable? How do I protect it? How do I minimize cabling? Is my guitar amp the right way to deliver synth sounds? If not, what is? And is the answer going to work for both studio and live? How do other guitar players that have adopted synthesis handle their rigs live?
Anyway, hopefully this gives you some ideas. Look forward to your response.
Mark Jasen